Borghese
Night Shift
Warm skin, soft practical light, and the quiet detail of a nightly ritual.
Director · Jonathan ChekrouneFull project ↗
FutureProof Color
Color for fashion, beauty, music & film.
Work directly with Rob Berry, from first look to final grade.
Borghese / Night ShiftColor · Rob BerryBeauty / Silent excerpt
A selectionDifferent worlds.
All color credits Different worlds.
The same care.
8 projects
Color · Rob Berry
Gucci
An Evening with Gucci, NYFW
An evening in black and white. Lace, skin and the tonal detail of a Gucci portrait.
GE ProjectsFull project ↗
Saks Fifth Avenue
Resort 25
Sun on skin and fabric. Digital and Super 16mm in Portugal.
Director · Alex FrancoFull project ↗
Neiman Marcus
Signature Style, Fall 2026
Portraits of personal style, with the warmth and texture of the spaces around them.
Creative · Karin NelsonFull project ↗
Culture of Bathe-ing
Vikram Valluri
Warm interiors, steam and late light. Cinematography and color for Culture of Bathe-ing.
Director · Vikram ValluriFull project ↗
The Crossing
Trailer / Mike Tyus
A trailer moving between green, amber and blue. Color for a film by Mike Tyus, photographed by Jake Kruty.
Director · Mike TyusFull project ↗
Earth Angel
Sage Bennett, NOWNESS
Blue-hour skies, soft highlights and the texture of Super 16mm. A film by Sage Bennett.
Director · Sage BennettFull project ↗
Erez
ATTNN
Movement through the city, from blue hour into practical light. Cinematography and color by Rob Berry.
Director · Madi TanguayFull project ↗
Rob Berry / Colorist & cinematographerYour colorist
Rob Berry.
“I love being involved early in pre-production so we shape the image of the project together.”
Work directly with Rob from camera tests to the final grade. As a cinematographer and colorist, he brings an understanding of lighting, exposure and texture to the color session.
Digital and Super 16mm. Remote sessions worldwide; Brooklyn suite sessions by arrangement.
Cinematography at robberry.co ↗For directors & cinematographersBring me in
Bring me in
before the edit.
A reference, a camera test, a film you can’t stop thinking about. Bring Rob into the conversation early.
Look development and show LUTs, through the final grade. Your cinematographer and director stay part of the conversation.
Explore a collaborationWorking togetherBefore the shoot.
Before the shoot.
Through the finish.
Bring a reference, a rough cut, or an idea.
We’ll work out where to begin.
Find the look
Share references and camera tests. Develop the look with Rob, including show LUTs when the project needs them.
Work the image
Grade with Rob remotely or in the suite. Review together or leave timecoded notes.
Carry it through
Agree on the masters and aspect ratios, then carry the look through the final exports.
What should I send to start?
A brief or treatment, visual references, the current cut, and your target delivery date. Include the formats and aspect ratios you need. A rough cut is fine for the first conversation.
What does color turnover need?
Camera originals or an agreed flat export, a reference movie, and the locked timeline as XML, AAF or EDL. Flag speed changes, VFX and reframing. Include camera, frame-rate and color-space information, and identify any viewing LUTs. Confirm the turnover approach before exporting.
How do reviews work?
Remote review can happen together in a streamed session, or asynchronously with timecoded notes on Frame.io. In-person sessions in New York City are by arrangement. Review method, rounds and delivery dates are agreed for the project.
What if the project is unreleased?
Unreleased work stays private. Share any NDA or release restrictions at the start so they travel with the project.
Your next projectWhat are
What are
you making?
A rough idea or a finished cut.
Your message goes directly to Rob.
New York City
Remote sessions worldwide